日本关东军第七三一部队是日本侵华期间从事细菌战和人体实验的大本营，反人类罪行震惊世界。系列微纪录片《七三一 恶魔的饱食》关注七三一部队的罪证，从史实入手，聚焦一个人物、一个事件、一件文物、一处旧址、一份档案以及一个项目，揭露了日本军国主义违背国际公约进行细菌战和人体实验的罪行，既具历史价值，更有现实意义。

A rebellious, liberating and surprisingly humorous perspective on the conflict between Palestine and Israel told by Palestinians who defy Israeli laws to pick akkoub – a tasty herb that is essential to any local recipe. 　　‘I don’t care about the verdict. I will continue to pick akkoub and fight for my principles. I don’t give a damn about this law’. That’s how an elderly Palestinian man responds to Israeli nature patrols when they arrest him for picking his favourite herbs on some hills in Palestine. Like the other people who walk around the land gathering seeds, the old man is proud. He is not afraid of fines or jail. In her mischievous and liberatingly humorous film, CPH:DOX-winning artist Jumana Manna (‘Wild Relatives’, 2018) follows the path of special herbs from nature into Palestinian kitchens. A mischievous film about the quiet, stubborn resistance of a people.

A rebellious, liberating and surprisingly humorous perspective on the conflict between Palestine and Israel told by Palestinians who defy Israeli laws to pick akkoub – a tasty herb that is essential to any local recipe. 　　‘I don’t care about the verdict. I will continue to pick akkoub and fight for my principles. I don’t give a damn about this law’. That’s how an elderly Palestinian man responds to Israeli nature patrols when they arrest him for picking his favourite herbs on some hills in Palestine. Like the other people who walk around the land gathering seeds, the old man is proud. He is not afraid of fines or jail. In her mischievous and liberatingly humorous film, CPH:DOX-winning artist Jumana Manna (‘Wild Relatives’, 2018) follows the path of special herbs from nature into Palestinian kitchens. A mischievous film about the quiet, stubborn resistance of a people.

第一季以不时不食、不野不食、不念不食三个切入点讲述湖南区域的美食，分为六个主题：峰味、水鲜、年关、稻香、素食、老街。通过将湖南省丰富的物资资源和人物对食物的再创造结合出湘味这道美味的佳肴。

弗兰西斯·麦克多蒙德将参与全新影片的编剧工作，她将联合编剧、导演山姆·霍夫改编迈克尔·波伦的小说《杂食者的困境》。山姆·霍夫曼表示：”这是我第一次和麦克多蒙德合作操刀剧本，我和麦克多蒙是在[月升王国]那部影片中结识，当时我是该片的制片人之一。“目前该片暂无其他消息。

Japan is reeling from the biggest child sex abuse scandal in its history after the BBC revealed that Johnny Kitagawa, the godfather of J-pop, spent a lifetime sexually abusing some of the young boys in his talent agency. Almost 1000 men have come forward as survivors of Kitagawa's abuse. But a climate of hostility to survivors means some are facing online abuse that has resulted in tragic consequences. Meanwhile, the story of wider abuse at the agency is going untold. Mobeen Azhar investigates the aftermath of a predator.

布莱恩·德·帕尔玛在接受《巴黎人报》采访时透露，他正在筹备一部以哈维·韦恩斯坦为主角的恐怖片。帕尔玛已和一位法国制片人就该项目进行了商谈，他表示主角不会直接叫哈维·韦恩斯坦，但会以韦恩斯坦的这些丑闻为素材，主角将是电影行业里的性侵犯者。帕尔玛称，以哈维为主题的恐怖片故事将发生在多伦多电影节，影片将于明年夏季尽早开机。影片制片人赛义德·本·赛义德确认片名为《捕食者》（Predator，暂译）。

Portugal, the 1970s. As the end of an era of repression approaches, a bourgeois family still in its bubble of power spends its vacation in a country house. The teenage cousins spend their days in indolence, interrupted by fits of hysteria. It will only take an introduction of an outside element – in the shape of a young man – for violence to erupt. 　　Director David Pinheiro Vicente states that the idea of the film came from witnessing family gatherings and trying to guess the secrets, fantasies and unspoken things beyond the conversations. Part Pasolinian and sexy hide-and-seek, part political allegory (the young intruder embodies the post-Portuguese-dictatorship freedom to come), The Hunters is another solid, delightful addition to Vicente’s noteworthy work, which addresses the tension between body and spirit.